Connections
Listening to a sonata by Scarlatti, I'm struck by its strangeness, it even goes completely wild and you wonder if a small animal has not landed on the harpsichord.
Jean Rondeau plays Scarlatti sonata K175 in A minor
And always still the little cells repeating themselves - I learned today, thanks to that wonderful programme on Scarlatti on the BBC, that Scarlatti liked to gamble. There is some madness in gambling, some obsession, some intensity.
Composer of the week: Scarlatti, BBC programme with Kate Molleson
Ceci explique peut-être cela, as we would say in French, this maybe explains the wildness in the music. Added to that, living for the remaining 25 years of his life in a dark palace, the Escorial with a King suffering from Melancholia, Philip V of Spain probably did not help. This is a connection though, not a causality. Another composer, at the same time in the same palace, might have written some joyful little dance pieces, who knows?
Scarlatti left his duties in Lisbon where he had lots and lots to do and became only the music master of Princess Maria Barbara. Not more management to do, no more 'music on command' for this or that. Maria Barbara truly loved playing the harpsichord and he wrote sonatas for her (or for playing in front of her). He did not have to please the public, only one person with whom he got on very well, this is a music of true sharing and dialogue. So now we have about 550 sonatas for the harpsichord. They are still played today, either on the harpsichord or the piano.
This wildness, this darkness, all within a certain restraint, makes me think about some of Sharron Kraus' music.
Story, from the album The Woody Nighshade
Robin is dead, from the album The Fox's Wedding
From the same album, also July Skies
Or even from her latest album Kin with The Locked Garden
Well... you make up your mind, agree or disagree, no one will win anything one way or another. Comments welcome!
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